Music of the Dominican Republic
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The Dominican Republic is known primarily for merengue, though bachata and other forms are also popular. Dominican music has always been closely intertwined with that of its neighbor, Haiti (see Music of Haiti).
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Bachata
Bachata is a style of music that inhabitants of shantiestowns call their own, although it was derived from bolero, a type of genre native to Cuba. The bourgeoisie originally dismissed it as worthless and was therefore given the name bachata, meaning a rowdy lower-class fiesta (party). Moreover, the dance was forbidden until fairly recently. This genre is largely recognized by its guitar-based ensembles rather than the accordion or saxophone-dominated merengues. Although bachata was originally aimed toward people of lower class, nowadays it is enjoyed by people from all classes and backgrounds. Most of the songs are lamentations over a lost love.
Suave
Salve is a call and response type of singing that uses panderos, atabales and other African instruments. Salves are highly ceremonial and are used in pilgrimages and at parties dedicated to saints.
Gagá
Gagá is a form of music that developed in parallel with Haitian rara. It evolved on plantations and is often spiritual, used during baptisms and other religious ceremonies.
Merengue
Merengue is a musical genre native to the Dominican Republic. The word “merengue” literally means whipped egg whites and sugar, although it is uncertain how this word came to be associated with this type of music and dance. Swift beats from guiro or maracas percussion sections, and wild accordion or saxophone accompaniment are characteristic. Other instruments frequently include a sax, box bass, tambora drum or guyano. The rhythm dominates the music, and is the most characteristic feature of the genre. It is unsyncopated and includes an aggressive beat on 1 and 3. While overwhelmingly Dominican in origin, it has also been historically linked to the music of Haiti, which shares a border with the Dominican Republic on the island of Hispaniola. Traditional, acoustic merengue is best-represented by the earliest recorded musicians, like Angel Viloria and Francisco Ulloa. More modern merengue incorporate electric instruments and influences from salsa, rock and roll and hip hop. Choruses are usually in groups of three and are often used in a call and response pattern. Live, wild dancing has long been commonplace, and is a staple of many of the genre's biggest stars. Lyrically, irony and oblique references to issues of sexuality and politics.
The origins of merengue are disputed. It may be related to Haitian méringue (mereng), which is very similar except in its guitar-based sound, while merengue is dominated by the accordion. Another cousin could be UPA, a Cuban form that includes a section called a merengue and arrived in Santo Domingo in the mid-1800s, imported from Puerto Rico. European contradanza was another major influence. Other scholars have claimed that merengue is a distinctively Dominican form, developed after the Dominican victory at Talanquera by soldier named Tomas Torres who deserted, falsely predicting a loss, and that it is a fusion of Spanish decima with African plena music. A final seminal influence was contact with a major trading partner, Germany, through which the accordion was introduced to Dominican society. At the time of its development, merengue was attacked by newspapers and the upper-class, who preferred an older form of dance music called tumba. It was called vulgar and obscene, as have many forms of folk music.
Merengue continued to be limited in popularity to the lower-classes, especially in the Cibao area, in the early 20th century. Artists like Juan F. García, Juan Espínola and Julio Alberto Hernandez tried to move merengue into the mainstream, but failed, largely due to risque lyrics. Some success occurred after the original form (then called merengue típico cibaeño) was slowed down to accommodate American soldiers (who occupied the country from 1916-1924) and couldn't dance the difficult steps of the merengue; this mid-tempo version was called pambiche. Major mainstream acceptance started with the rise of Rafael Trujillo in the early 1930s.
Rafael Trujillo, who seized the presidency of the Dominican Republic in 1930, helped merengue to become a national symbol of the island up until his assassination in 1961. Being that he was of humble origins, he had been barred from elite social clubs. He therefore resented these elite sophisticates and began promoting the Cibao-style merengue as the populist symbol. The text of merengue songs covers an array of topics, including politics. This is evidenced by the hundreds of songs that were made, which were focused on political aspects of Trujillo's dictatorship, praising certain guidelines and actions of his party. Trujillo even made it mandatory for urban dance bands to include merengue in their routines. Also, piano and brass instruments were added in large merengue orchestras. On the other hand, merengue that continued to use an accordion became known as perico ripiao (ripped parrot). It was because of all this that merengue became and still is the Dominican Republic’s national music and dance.
In the 1960s, a new group of artists (most famously Johnny Ventura) incorporated American R&B and rock and roll influences, along with Cuban salsa music. The instrumentation changed, with accordion replaced with electric guitars or synthesizers, or occasionally sampled, and the saxophone's role totally redefined. In spite of the changes, merengue remained the most popular form of music in Dominica. Ventura, for example, was so adulated that he became a massively popular and influential politician on his return from a time in the United States, and was seen as a national symbol.
The 1980s saw increasing Dominican emigration to Europe and the United States, especially to New York City and Miami. Merengue came with them, bringing images of glitzy pop singers and idols. At the same time, Juan Luis Guerra slowed down the merengue rhythm, and added more lyrical depth and entrenched social commentary. He also incorporated bachata and Western musical influences with albums like 1990's critically-acclaimed Bachata Rosa.
Merenrap
The mid-1990s saw the development of Merenrap or Merenhouse which added house and hip hop elements and became quite popular, especially Elvis Crespo. Merenrap, dominated by hardcore rapping.
Reggaeton
Even though Reggaeton was originated in Puerto Rico the Dominican Republic was the second country in Latin America Reggaeton has hit It has had a long history of reggaeton music, more closely associated with Puerto Rican music. Dominican reggaeton is a mixture of American hip hop music with reggae, along with some elements of Dominican bachata, merengue and the Bomba rhythm. Reggaeton also sought popularity in The Dominican Republic with the popularity of reggaeton rapper Tego Calderon who even though is from Puerto Rico the rapper claims he has lived in the Dominican Republic for a while and is loved by many Dominicans even known and popular with them with one of his songs "Dominicana".
References
- Harvey, Sean and Sue Steward. "Merengue Attacks". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 2: Latin & North America, Caribbean, India, Asia and Pacific, pp 414-420. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0