William Lawes
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William Lawes (1602–1645) was an English composer and musician.
He was born at Salisbury in Wiltshire some time in late April 1602, and was baptised on May 1 of that year. He was the son of Thomas Lawes, a vicar choral at Salisbury Cathedral.
His patron, Edward Seymour, Earl of Hertford, apprenticed him to the composer John Coprario, which probably brought Lawes into contact with Charles, Prince of Wales at an early age. Both William and his elder brother Henry received court appointments after Charles succeeded to the British throne as Charles I. William was appointed as 'musician in ordinary for lutes and voices' in 1635 but had been writing music for the court prior to this.
William Lawes spent all his adult life in Charles's employ. He composed secular music and songs for court masques (and doubtless played in them), as well as sacred anthems and motets for Charles's private worship. He is remembered today for his sublime viol consort suites for between three and six players. His use of counterpoint and fugue and his tendency to juxtapose bizarre, spine-tingling themes next to pastoral ones in these works made them disfavoured in the centuries after his death; they have only become widely available in recent years.
When Charles's dispute with Parliament broke into civil war, Lawes joined the Royalist army and was given a post in the King's Life Guards, which was intended to keep him out of danger. Despite this, he was 'casually shot' by a Parliamentarian in the massacre of Royalists at Rowton Heath, near Chester on September 24 1645. The author of his epitaph closed it with a lachrymose pun on the fact that he died at the hands of those who denied the divine right of kings:
- Will. Lawes was slain by such whose wills were laws.
References
- D. Pinto, For ye violls: The consort and dance music of William Lawes Fretwork 1995
- Sleeve notes of the items listed in the discography.
- [Extract of Murray Lefkowitz's 1960 biography of Lawes (http://www.canterburygreenman.fsnet.co.uk/WilliamLawes.htm)]
Discography
- For ye violls: Consort setts in 5 & 6 parts Fretwork & Paul Nicholson; Virgin Classics 91187-2; 1991
- Sonatas for violin, bass viol and organ London Baroque; Harmonia Mundi HMA 1901493; 1994
- Fantasia Suites for two violins, bass viol and organ The Purcell Quartet; Chandos CHAN0552, 1994
- Royall Consort Suites The Purcell Quartet with Nigel North & Paul O'Dette; Chandos CHAN0584/5, 1995
- Consort Music for Viols, Lutes and Theorbos The Rose Consort of Viols, Timothy Roberts, Jacob Heringman & David Miller; Naxos 8.550601; 1995
- Royall Consort Suites vol 1 The Greate Consort; CD GAU146, 1995
- Concord is conquer'd: Consort setts for 5 & 6 viols. 4 Herrick songs. Pieces for lyra viol Fretwork, Catherine Bott, Richard Boothby & Paul Nicholson; Virgin Classics 5451472; 1995
- Royall Consort Suites vol 2 The Greate Consort; CD GAU147, 1997
- The Royal Consort & lute songs Rene Jacobs, Sigiswald Kiujken, Lucy van Dael, Weiland Kuijken, Toyohiko Satoh, Edward Witsenbug, Gustav Leonhardt; Sony Classical 1997
- Fantazia suites for vioin, bass viol and organ Music's Re-creation; Centaur CRC 2385; 1998
- Consorts in four and five parts Phantasm & Sarah Cunnningham; Channel classics CCS 15698; 2000
- Consorts in six parts Phantasm, Susanne Braumann & Varpu Haavisto; Channel classics CCS 17498; 2002
- Consort sets in five & six parts, Hesperion XXI, Aliavox AV9823A, AV9823B; 2002
- Knock'd on the head: William Lawes, music for viols Concordia, Metronome MET CD 1045; 2002