Pachelbel's canon

Pachelbel's canon (formally the Canon in D-major; full German title: Kanon und Gigue in D-Dur für drei Violinen und Basso Continuo) is the most famous piece of music by Johann Pachelbel. It was written in or around 1680 during the Baroque period as a piece of chamber music for three violins and basso continuo, but has since been arranged for a wide variety of ensembles. It was originally followed by a gigue in the same key, though this is rarely played today.

It is commonly played at weddings.

Contents

Harmony

The harmonic basis of the canon is a ground bass: the same four-bar bass line and harmonic sequence are repeated over and over, about 30 times in total. The chords of this sequence are: D major (tonic), A major (dominant), B minor (tonic parallel), F# minor (dominant parallel) G major (subdominant) D major (tonic), E minor (subdominant parallel) A major (dominant).

Missing image
Pachelbel_Canon_bass_line.png
Ground bass of Pachelbel's canon

The sequence, or rather, close imitations of it, appears elsewhere in the classical canon. Mozart employed it for a striking passage in The Magic Flute (1791), at the moment where the Three Youths first appear. Mozart may have learned the sequence from Haydn, who had used it in the minuet of his string quartet Opus 50 no. 2 (1785). Neither Haydn's or Mozart's passage is an exact harmonic match to Pachelbel's, both deviating in the last two bars.

For a parallel in popular music, see below.

Pachelbel's canon in popular culture

The Pachelbel canon may represent the most extraordinary instance of the crossover phenomenon in all of music. During a short period in the early 1970s it went from being a quite obscure work of early music to a universally familiar cultural item. It was played in countless versions in its original notes and instrumentation, as well as in arrangements for other instruments and in adaptations into other musical genres. The process shows no sign of abating.

The popularization is thought to have originated with the release of a 1970 recording of the work (Erato 98475) performed by the Paillard Chamber Orchestra under the direction of Jean-François Paillard.

The following are representative appearances of the canon in popular culture.

The canon was first adapted musically in a pop song by the Spanish vocal group Pop Tops on their 1968 hit "O Lord, Why Lord?", which made modest chart showings in both the USA (peaking at #79 on the Hot 100) and the Netherlands.

Later adaptations of the Canon include:

  • The second half of Brian Eno's pioneering 1975 ambient music recording Discreet Music consists of a series of versions of Pachelbel's canon to which various algorithmic transformations have been applied, rendering it almost unrecognisable.
  • The 1997 single "C U When You Get There" by Coolio
  • The Polyphonic Spree's song "Section 9 (Light & Day/Reach for the Sun)" has an almost identical chord structure to canon, to such a point as it's possible to sing the vocal melody and lyrics of it over the song.
  • Those who grew up in southern California during the 1980s will recognize Pachelbel's canon as the background music to virtually every alcoholism and drug treatment center commercial of the period.
  • During a stand-up comedy routine on the Dr. Demento basement tapes, comedian Rob Paravonian recognizes the popular music takeover of Pachelbel's canon.
"The cello part in Pachelbel's canon is the most boring part ever written. It's 8 quarter notes repeated... 54 times - I counted, because I had nothing else to do... [Paravonian's count is exaggerated; see above.] I hated this piece. The violins got lovely melodies. The second violins got lovely melodies. The violas got lovely melodies, which should never happen. The celloists, we got eight notes. And if you ever wonder why, I think I've figured it out. I think Pachelbel must have dated a celloist, and she dissed him really bad. And so he just gave the celloists the worst parts he could ever think of. And you know, I wouldn't be bitter about it, except the man is following me. He's been dead for like 300 years but he's popping up everywhere."
Paravonian continues on to note several songs in which he recognizes Pachelbel's influence, although this influence is likely coincidental, as many songs share the tonic-dominant-tonic parallel-dominant parallel pattern. He also characterizes Johann Pachelbel as the original one-hit wonder.
  • The music selection of the computer game Utopia, published by Gremlin Graphics in 1991, includes Pachelbel's canon, and three original melodies.
  • Catch 22's song On and On and On from Keasbey Nights contains a reference to Pachelbel's Canon in the middle of the song.
  • The motion picture, Ordinary People (1980) featured this selection as the main theme on its soundtrack.
  • Pump It Up Exceed 2 featured a rock remix of it by Banya (a short and a long version), and featured an anime-style music video.

Media

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External links

ja:カノン (パッヘルベル)

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