List of pieces which use polytonality
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Musical pieces by style
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| <center>Period |
| Neoclassicalistic (see Neoclassicalism) |
| Modernistic (see Modernism) |
| <center>Style |
| Dadaistic (see Dada) |
| Impressionistic (see Impressionist music) |
| Jazz (see Jazz) |
| - with Jazz |
| Minimalistic (see Minimalist music) |
| Nationalistic (see Nationalism) |
| Populistic (see Populist music) |
| Postminimalistic (see Postminimalism) |
| Surrealist (see Surrealism) |
| <center>Technique |
| Atonal (see Atonality) |
| Twelve-tone (see Twelve-tone technique) |
| with Extended techniques (see Extended technique) |
| Pandiatonic (see Pandiatonic) |
| Polytonal (see Polytonality) |
| - with Polytonality |
| Process music (see Process music) |
| Quarter tone (see Quarter tone) |
| - with Quarter tones |
| Whole tone (see whole tone) |
| Phase (see Phasing) |
| with Quotations (see Quotation) |
| - with Quotations of popular music (see Popular music) |
- Mikrokosmos Volume 5 number 125: The opening (mm. 1-14) of "Boating", (actually bimodality) in which the right hand uses pitches of the pentatonic scale on Eb and the left hand uses those of either G mixolydian or dorian:
- Missing image
Bartok's_Boating_RH_and_LH_pitch_collections.PNG
- Ludwig van Beethoven (Reti, 1958)
- Eroica Symphony, in the horns and strings four measures before the recapitulatoin in the first movement (Reti, 1958)
- Piano Sonata, op. 81a (Les Adieux), near the end of the first movement (Reti, 1958)
- Piano Sonata, op. 31, No. 2, in the development (Reti, 1958)
- Ferruccio Busoni (Reti, 1958)
- Frederic Chopin (Reti, 1958)
- Symphony No. 2, used for ambiguity
- Variations on America (1891), polytonal interludes added 1909-1910
- Gustav Mahler (Reti, 1958)
- Darius Milhaud (Reti, 1958)
- Scaramouche, in the first movement "Vif" (AllClassicalGuide (http://www.allclassical.com))
- Ein musikalischer Spass (Reti, 1958)
- Missing image
K522_multitonality.PNG
- Hans Newsidler (1508-1563)
- ? (Reti, 1958, cites Harvard Dictionary of Music's article "Polytonality")
- Richard Strauss (Reti, 1958)
- Igor Stravinsky (Reti, 1958)
- Petrushka, opening fanfare
- Richard Wagner (Reti, 1958)
Source
- Reti, Rudolph (1958). Tonality, Atonality, Pantonality: A study of some trends in twentieth century music. Westport, Connecticut: Greenwood Press. ISBN 0313204780.