Ikue Mori
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Ikue Mori (もりいくえ Mori Ikue, born 1953 in Tokyo, Japan) is a drummer, composer, and graphic designer. She often records on Tzadik, as well as designing the covers for many of their albums. Mori has played on many projects led by composer John Zorn.
Mori was born and raised in Japan. She says she had little interest in music before hearing punk rock. In 1977, she went to New York City, initially for a visit, but she fell into the music scene, and has remained in New York since.
Her first musical experience was as the drummer for no wave band DNA. Though she had little prior musical experience (and had never played drums), Mori quickly developed a distictive style: One critic describes her as "a tight, tireless master of shifting asymmetrical rhythm"[1] (http://www.trouserpress.com/entry.php?a=dna), while Lester Bangs though that she "cuts Sunny Murray in my book" (Bangs, 303) His comment is no small praise, as Murray is widely considered a major free jazz drummer.
After DNA disbanded, Mori became active in the New York experimental music scene. She abandoned her drum set, and began playing drum machines, which she sometimes modified to play various samples. In recent years she has used a laptop as her primary instrument, but is still sometimes credited with "electronic percussion".
Beyond her solo recordings, she has recorded or performed with Dave Douglas, Butch Morris, Kim Gordon, nad many others, including as Hemopheliac, a trio with Zorn and singer Mike Patton.
Her latest recording, Myrninerest, is isnpired by outsider artist Madge Gill. Her 2000 release, One Hundred Aspects of the Moon was inspired by famed Japanese artist Yoshitoshi.
External Links
- IkueMori.com (official site) (http://www.ikuemori.com)
- Discography of Ikue Mori (http://www.wnur.org/jazz/artists/mori.ikue/discog.html)
- Ikue Mori, Interviewed by Theresa Stern, Novembre 1997 (http://www.furious.com/perfect/ikuemori.html)
Sources
- Bangs, Lester, Psychotic Reactions and Carburetor Dung: The Work of a Legendary Critic: Rock'N'Roll as Literature and Literature as Rock'N'Roll, 1988