Hugh MacDiarmid
|
|
Hugh MacDiarmid was the pen name of Christopher Murray Grieve (August 11, 1892 - September 9, 1978). He was probably the most important Scottish poet of the 20th century. He was instrumental in creating a truly Scottish version of modernism and was, perhaps, the leading light in the Scottish literary Renaissance of the 20th century. Unusually for a first generation modernist, he was a communist. Unusually for a communist, he was a committed Scottish nationalist. He wrote both in English and in literary Lowland Scots (Lallans).
| Contents |
Early Life and Writings
After leaving school in 1910, MacDiarmid worked as a journalist for five years. He then served in the Royal Army Medical Corps during the First World War. After the war, he married and returned to journalism. His first book, Annals of the Five Senses (1923) was a mixture of prose and poetry in English, but he then turned to Lowland Scots for a series of books, culminating in what is probably his best known work, the book-length A Drunk Man Looks At The Thistle. This poem is widely regarded as one of the most important long poems in 20th century Scottish literature. After that, he published several books containing poems in both English and Lallans.
Politics
In 1928, MacDiarmid helped found the National Party of Scotland. He was also a member of the Communist Party of Great Britain. During the 1930s, he was expelled from the former for being a communist and from the latter for being a nationalist. In 1956, when many people were leaving in the aftermath of events in Hungary, MacDiarmid rejoined the Communist Party. In 1950, George Orwell compiled a list of suspected communist sympathisers for British intelligence. He included MacDiarmid in this list. As Grieve, he stood in the 1950 election in the Glasgow, Kelvingrove constituency as a Scottish Nationalist, coming last with 639 votes.
Later Writings
As his interest in science and linguistics increased, MacDiarmid found himself turning more and more to English as a means of expression so that most of his later poetry is written in that language. His ambition was to live up to Rilkes dictum that 'the poet must know everything' and to write a poetry that contained all knowledge. As a result, some of the later work is a kind of found poetry reusing text from a range of sources. This led to accusations of plagiarism, to which the poet's response was 'The greater the plagiarism the greater the work of art.' The great achievement of this late poetry is to attempt on an epic scale to capture the idea of a world without God in which all the facts the poetry deals with are scientifically verifiable.
MacDiarmid wrote a number of non-fiction prose works, including Scottish Eccentrics and his autobiography Lucky Poet. He also did a number of translations from Scottish Gaelic, including Duncan Ban MacIntyre's Praise of Ben Doran, which were well received by native speakers including Sorley MacLean
External link
- A bibliography (http://www.users.globalnet.co.uk/~crumey/hugh_macdiarmid.html)