Tsai Ming-liang

Tsai Ming-liang (蔡明亮, pinyin: Cài Míngliàng) (born in 1957 in Kuching, Malaysia) is one of the most celebrated "Second New Wave" film directors of Taiwanese Cinema, along with such contemporaries as Hou Hsiao-Hsien and Edward Yang. His films have been acclaimed world-wide and won numerous festival awards.

Tsai is a Chinese born in Malaysia, and lived there "in a very simple small village" for 20 years after which he moved to Taipei. This, he says, had "a huge impact on [his] mind and psyche", perhaps later mirrored in his films. "Even today, I feel I belong neither to Taiwan nor to Malaysia. In a sense, I can go anywhere I want and fit in, but I never feel that sense of belonging." [1] (http://www.etaiwannews.com/Peolpes/2005/02/18/1108699760.htm) He graduated from the Drama and Cinema Department of the Chinese Cultural University of Taiwan in 1982 and worked as a theatrical producer, screenwriter and television director in Hong Kong. Tsai's honours include a Golden Lion (best picture) for Vive L'Amour at the Venice Film Festival in 1994, the Silver Bear/Special Jury Prize for The River at the 1997 Berlin International Film Festival and the FIPRESCI award for The Hole at the 1998 Cannes Film Festival.

Contents

Filmography

Features

Shorts

  • A Conversation with God (2001)
  • The Skywalk Is Gone (2002)

Telefilms

  • Endless Love (1989)
  • The Happy Weaver (1989)
  • Far Away (1989)
  • All Corners of the World (1989)
  • Li Hsiang's Love Line (1990)
  • My Name is Mary (1990)
  • Ah-Hsiung's First Love (1990)
  • Give Me a Home (1991)
  • Boys (1991)
  • Hsio Yueh's Dowry (1991)
  • My New Friends (1995)

See also

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