Post-rock
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The term post-rock was coined by Simon Reynolds in issue 123 of The Wire (May 1994) to describe a sort of music "using rock instrumentation for non-rock purposes, using guitars as facilitators of timbres and textures rather than riffs and powerchords."
Originally used to describe the music of such bands as Stereolab, Disco Inferno, Seefeel, Bark Psychosis and Pram, it spread out to be frequently used for all sorts of jazz- and Krautrock-influenced, instrumental, electronica-added music made after 1994. Bands from the early 1990s such as Slint, or earlier, such as Talk Talk were influential on this genre. As with many musical genres, the term is arguably inadequate: it is used for the music of Tortoise as well as that of Mogwai, two bands who have very little in common besides the fact that their music is largely instrumental.
The aforementioned Tortoise was among the founders of the movement. After the second Tortoise LP Millions Now Living Will Never Die, the band became a post-rock icon. After Millions... many bands (e.g., Do Make Say Think) began to record, inspired by the "Tortoise-sound" and were often described as post-rock.
In the late nineties, Chicago, Illinois, became the home base of many different groups. John McEntire (of Tortoise) became an important producer for lots of them, as well as Jim O'Rourke (of Brice-Glace, Gastr del Sol and many more). Post-rock began to range from the slow, guitar-based ambience of Boxhead Ensemble to the up-tempo electronica of Stereolab.
Montreal, Quebec band Godspeed You Black Emperor! — later renamed 'Godspeed You! Black Emperor' — brought a political element with anti-globalization movement leanings.
By the early 2000s, the term had started to fall out of favor. It became increasingly controversial as more critics outwardly condemned its use. Even the bands for whom the term was most frequently assigned (for example, Cul de Sac, Tortoise, and Mogwai) rejected the label that it placed on them. The wide range of styles covered by the term most likely robbed it of its usefulness.
Closely related to post-rock is the genre known as Math rock, characterized by more percussive timbres, more dissonant harmonic gestures, and more prog-influenced arrangements.
Examples of post-rock groups
- 1 Mile North
- ...as the Poets affirm
- Akira
- The Album Leaf
- American Analog Set
- Apostle of Hustle
- A Silver Mt. Zion
- Bardo Pond
- Bark Psychosis
- Beans
- Bi-Ped
- Boxhead Ensemble
- Brice-Glace
- Brokeback
- Broken Social Scene
- Chicago Underground Duo
- Couch
- Dappled Cities Fly
- Del Rey
- Destroyalldreamers
- Dianogah
- Disco Inferno
- Dirty Three
- Do Make Say Think
- Don Caballero
- Efterklang
- Elf Fatima
- Explosions In The Sky
- Fly Pan Am
- The For Carnation
- Four Tet
- Gastr del Sol
- Godspeed You! Black Emperor
- Grace Cathedral Park
- High Dependency Unit
- Isotope 217
- Jakob
- Karate
- Knapsack
- Labradford
- Last Vote
- Maserati
- The Mercury Program
- Mogwai
- Mono
- My Bloody Valentine
- Ocelot
- Pele
- Pram
- Rachel's
- Radarmaker
- Rothko
- Rumah Sakit
- The Sea and Cake
- Seefeel
- Shalabi Effect
- The Sheep Fiends
- Shrimp Boat
- Sigur Rós
- Slint
- Solomon: As Pilot
- Stereolab
- Talk Talk
- Tarentel
- Timonium
- Tristeza
- Tortoise
- We vs. Death
- Windsor For the Derby
External links
- Mp3 Post Rock Blog (http://www.mp3blog.ch.vu)
- Reynolds' article (http://web.archive.org/web/20011202075606/http%3a//www.thewire.co.uk/out/1297_4.htm)
- Post-rock bands (http://post-rock.lv/post.htm)
- Post-rock labels & media (http://post-rock.lv/post2.htm)
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