|
|
Pavol Országh Hviezdoslav (2 February , 1849, Vyšný Kubín - 8 November 1921, Dolný Kubín) was a Slovak poet, drama writer, translator and a member of the Czechoslovak parliament for a short time.
Literary theoreticians consider him the most important Slovak poet of all times.
| Contents |
Name
He was born as Pavol Országh. Hviezdoslav (meaning approximately "celebrating the stars" and/or "Slav of stars") was his pseudonym since 1875. His earlier pseudionym was Jozef Zbranský. Interestingly, his last name is a fairly common Hungarian last name, meaning "country" in Hungarian.
Life
His father was a poor squire and had his son work in the field.
Hviezdoslav studied at grammar schools in Miskolc and Kežmarok. After his graduation in 1870, he continued at the Law Academy of Prešov, where in 1871 he participated at the preparation of the Almanach Napred ("Forward" Micellany/Almanac), which marks the beginning of a new literary generation in Slovak literature.
Then he was an employee of the court at Dolný Kubín. Afterwards he was a lawyer by profession between 1875 and 1899 in Námestovo and since then in Dolný Kubín again.
In 1918 he was a member of the newly created Revolutionaly National Assembly (provisional governing body, later parliament) in Prague, and from 1919-1920 served as its representative.
In 1919 he was named leader of the re-established Slovak Matica (see below).
In 1954, the Literary Museum of P.O.Hviezdoslav was established in Dolný Kubín. A festival of amateur reciters named Hviezdoslav's Kubín has been held there since.
His relation to the Slovak Matica
Slovak Matica (in Slovak Matica slovenská) was a cultural institute established in the city of Turčciansky Svätý Martin (today Martin). It was the home, the nourishing mother of all things literary, national and cultural in the life of the Slovak people. During the darkest years in Slovak literary life, Slovak Matica kept alive Slovak literature. The intolerant anti-Slovak policy of the Magyars forcibly closed the doors of Matica and confiscated its property in 1875.
On August 5, 1919, it was re-opened and re-dedicated in the presence and with the aid of President Tomás Masaryk. Hviezdoslav was honored by being named its new head. Under his inspired leadership, the Matica spread and grew -- a national symbol of the vitality of a nation and the heroism of a people emerging from 10 centuries of oppressive foreign domination. It was soon enlarged by the addition of a Slovak National Museum.
Works
Under the colorful pen name of Hviezdoslav, he was a fertile writer and a prolific translator. He introduced the syllabic-tonic verse into Slovak poetry. He was a leading representative of Slovak literary realism. His works are characterised by extensive use of newly created words and expressions, they are therefore difficult to translate into foreign languages.
He has enriched Slovak literature with some 15 volumes of original poetry and with many volumes of translations of classical works (see works). During his era, he was the poet laureate of Slovakia.
In their intimacy and reflection Hviezdoslav's works address universal human concerns.
Reflexive poetry
He began writing poetry - initially in Hungarian - while still attending the grammar school (in Miskolc and Kežmarok). His first poetry collection, the Básnické prviesienky Jozefa Zbranského (Poetry primroses of Jozef Zbranský), was published in 1868. It introduced the syllabic-tonic verse into Slovak literature.
An awakened national pride brought a resolution to work in Slovak, but the inclination towards realism in his early poetry met with the aversion of the older generation.
Among the most important of his mature lyric cycles are:
- Sonety(1882-1886) (Sonnets)
- Letorosty I-III (1885-1893) (Growth Rings I - III),
- Žalmy a hymny (1885-1892) (Psalms and hymns)
- Prechádzky jarom (1898) (Walks through Spring)
- Prechádzky letom(1898)(Walks through Summer)
- Stesky(1903) (Languors/Complaints)
- Krvavé sonety (1914/1919) (Bloody Sonnetes) - important anti-WWI poetry
Epic compositions
The poet's epic compositions derive from his native Orava and from biblical topics, through which he commented allegorically on the situation of the Slovak nation:
- Hájnikova žena (1884-1886) (The Gamekeeper's wife)
- Ežo Vlkolinský (1890)
- Gábor Vlkolinský (1897-1899)
Biblical poetry with allegorical untertones
- Agar
- Kain
- Ráchel
- Sen Šalamúnov (The dream of Salomon)
Drama
- Pomsta (Revenge)
- Herodes a Herodias (1909) (Herodes and Herodias)- verse drama inspired by the Bible; a pillar of Slovak classic dramatic repertory.
Translations
Hviezdoslav was also versatile translator who endeavored in this occupation to refine and enrich the Slovak language and to advance its potential as medium of poetic expression.
He translated the works of Goethe, Schiller, Mickiewicz, Pushkin, Shakespeare, Slowacki, Arany, Petőfi, Lermontov and Madách.