Mikis Theodorakis
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Mikis Theodorakis (Μίκης Θεοδωράκης) (born July 29, 1925) is a Greek music composer and leftist politician supporting the leftist Synaspismos party. He was born on the island of Chios in Greece. His father came from Crete and his mother from Asia Minor. He received several offers to serve as the President of Greece, but he refused.
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1.1 I. The early years–WW II–First works 1.2 II. Back to Greek roots–Recognition 1.3 III. The junta–Going underground–Imprisonment–Banishment |
Stages in his Life
I. The early years–WW II–First works
Fascinated by music already as a child, he taught himself to write his first songs without access to musical instruments. In Pyrgos (Ilia) and Patras he took his first music lessons, and in Tripolis, he formed a choir and gave his first concert at 17.
After having been active in the resistance against the occupation troops and terribly tortured during World War II and later on, during the Greek Civil War, he studied at the Athens Conservatory in the class of Philoktitis Economidis and at the Conservatoire of Paris, where he studied musical analysis in the class of Olivier Messiaen and conducting under Eugene Bigot. The time in Paris was for him a period of intense artistic creation.
His first symphonic works, Concerto for Piano, First Suite, First Symphony, were internationally acclaimed. In 1957 he won the Gold Medal in the Moscow Music Festival; in 1959, Darius Milhaud proposed him for the American Copley-Music Prize as the Best European Composer of the Year after the performances of his ballet "Antigone" at Covent Garden.
His most important works up to 1960
- Chamber Music: Trio for piano, violin, violoncello; Sonatine for Piano; Sonatines No.1 et 2 for violin and piano
- Symphonic Music: "The Feast of Assi-Gonia" (symphonic); Symphony No.1 ("Proti Simfonia"); Suites No.1, 2 and 3 for Orchestra; "Life and Death" (for voice and strings); "Oedipus Tyrannos" (for strings), Concerto for Piano
- Ballet Music: "Greek Carnival"; "Les Amants de Téruel" (The Lovers from Teruel); "Antigone"
II. Back to Greek roots–Recognition
Theodorakis went back to Greece and to his roots, to genuine Greek music, and with his song cycle "Epitaphios", he started a cultural revolution in his country. With his marvellous works based on the greatest Greek and world poetry: "Epiphania", "Little Kyklades", "Axion Esti", "Mauthausen", "Romiossini", "Romancero Gitan"… he gave Greek music back its dignity and, while developing his concept of metasymphonic music, he was soon recognized internationally as a musician of genius, and, indeed, Mikis Theodorakis is undoubtedly Greece's greatest living composer.
He founded the Little Orchestra of Athens and the Musical Society of Piraeus and gave many concerts, while in 1963, he founded the Lambrakis Democratic Youth and was elected its president. In 1964, he became a member of the Greek Parliament.
Main works of this period
- Song Cycles: "Archipelagos", "Politia A & B", "Epiphania" (Yorgos Seferis, Nobel Prize 1963), "Mauthausen" (Yakovos Kabanellis), "Romiossini" (Yannis Ritsos)
- Music for the Stage: "The Hostage" (Brendan Behan); "Ballad of the Dead Brother" (Theodorakis); "Maghiki Poli"; "I Gitonia ton Angelon" (The Angels' Quarter, Kabanellis)
- Film scores: "Zorba the Greek" (Michalis Cacoyannis)
- Oratorio: "Axion Esti" (Odysseas Elytis, Nobel Prize 1979)
III. The junta–Going underground–Imprisonment–Banishment
In 1967, a fascist Junta putsched its way to power. Theodorakis went underground and founded the Patriotic Front. The Colonels published Army decree No.13, which banned playing, and even listening to his music. Theodorakis himself was arrested, jailed, banished to Zatouna with his wife Myrto and their two children Margarita and Yorgos. Later he was interned in the concentration camp of Oropos. An international solidarity movement, headed by such figures as Dmitri Shostakovitch, Leonard Bernstein, Arthur Miller and Harry Belafonte managed to get Theodorakis freed and his sentence converted to exile in 1970.
Main works under the dictatorship
- Song Cycles: "O Ilios ke o Chronos" (Sunb and Time, Theodorakis); "Ta Laïka"; Arcadies I-X; Songs for Andreas (Theodorakis); "Nichta Thanatou" (Nights of Death, M. Elefteriou)
- Oratorios: "Ephiphania Averoff" (Seferis), "State of Siege" (Marina=Rena Hadjidakis), "March of the Spirit" (Angelos Sikelianos), "Raven" (Seferis, d'après E.A.Poe)
- Film score: "Z" (Costa Gavras).
IV. Exile–Resistance
In exile, Theodorakis fought for the overthrow of the colonels and the unity of resistance forces. World-wide, he gave some thousand concerts as part of his struggle for the restoration of democracy in Greece. He became an universal symbol of resistance against dictatorship.
Main works written in exile
- Song Cycles: "Lianotragouda" (18 Songs for the Bitter Fatherland, Yannis Ritsos); "Ballades" (M. Anagnostakis)
- Oratorio: "Canto General" (Pablo Neruda)
- Film scores: "The Trojan Women" (M. Cacoyannis); "State of Siege" (Costa-Gavras) "Serpico" (S. Lumet)
V. Triumphant return–Activism–Prolific writing
After the fall of the Colonels, Theodorakis triumphantly returned to Greece, continued his work and his concert tours both in Greece and abroad. At the same time he participated in public affairs. He was later elected several times to the Greek Parliament (1981–1986 and 1989–1993) and for two years, from 1990 to 1992, he was Minister in the Government of Konstantin Mitsotakis. After that, he was appointed for another two years General Musical Director of the Symphony Orchestra and Chorus of the Hellenic Radio and Television.
Mikis Theodorakis has always combined an exceptional artistic talent with an intensely deep love of his country. He is also committed to heightening international awareness of human rights, of environmental issues and of the need for peace. It was for this reason that he initiated the Greek-Turkish Friendship Society together with the renowned Turkish musician and singer Zülfü Livaneli. Actually he publishes his most important writings about music, culture and politics and lived retired. But on important occasions he never hesistates to take position, like in 2003 against the Gulf War.
Main works after 1974
- Song Cycles: "Ta Lyrika", "Dionysos", "Phaedra", "Beatrice in Zero Street", "Mia Thalasssa" (A Sea full of Music), "Os archeos Anemos" (Like an Ancient Wind)
- Music for the Stage: "Orestia" (dir.: Spyros Evangelatos); "Antigone" (dir.: M. Volanakis); "Midea" (dir.: Spyros Evangelatos)
- Film scores: "Iphigenia" (M. Cacoyannis), "The Man with the Carnation" (N. Tzimas)
- Oratorios: "Missa Greca", "Liturgia 2", "Requiem"
- Symphonic Music and Cantatas: Symphonies No.2, 3, 4, 7, "According to the Sadducees", "Canto Olympico", Cello Concerto (1997)
- Opéras: "Kostas Karyotakis", "Medea", "Elektra", "Antigone", "Lysistrati".
A Lifetime's Work—Synopsis
Mikis Theodorakis has written more than 1000 songs and song-cycles, unforgettable melodies that have become part of the immortal heritage of Greek music. "Sto Perigiali", "Kaimos", "Aprilis", "Doxa to Theo", "Sotiris Petroulas", "Lipotaktes", "Stis Nichtas to Balkoni", "Agapi mou", "Pou petaxe t'agori mou", "Anixe ligo to parathiro", "O Ipnos se tilixe", "To gelasto pedi", "Dendro to dendro", "O Andonis". As for individual songs: "Epitaphios", "Archipelagos", "Politia", "Epiphania", "The Hostage", "Mykres Kyklades", "Mauthausen", "Romiossini", "Sun and Time", "Songs for Andreas", "Mythology", "Night of Death", "Ta Lyrika", "The Quarters of the World", "Dionysos", "Phaedra", "Mia Thalassa"... as for song cycles.
He has composed:
Symphonic Works
- 1953: Symphony No.1 ("Proti Simfonia")
- 1954–1959: 3 Orchestral Suites
- 1958: Piano Concerto
- 1981: Symphony No. 2 (`The Song of the Earth"; Text: Mikis Theodorakis) for children's choir, piano and orchestra)
- 1981: Symphony No. 3 (Texts: D. Solomos; K. Kavafis; byzantine hymns) for soprano, choir and orchestra
- 1983: Symphony No. 7 ("Spring-Symphony"; Texts: Yannis Ritsos; Yorgos Kulukis) for 4 soloists, choir and orchestra
- 1986–87: Symphony No. 4 ("Of Choirs") for soprano, mezzo, narrator, choir and symphonic orchestra without strings)
- 1996: Rhapsody for Guitar and Orchestra
- 1996: Rhapsody for Cello and Orchestra... and a lot of Chamber Music.
Cantatas and Oratorios
- 1960: "Axion Esti" (Text: Odysseas Elytis)
- 1969: "The March of the Spirit" (Text: Angelos Sikelianos)
- 1971–82: "Canto General" (Text: Pablo Neruda)
- 1981–82: "Kata Saddukaion Pathi" (Sadducean-Passion; Text: Michalis Katsaros). for tenor, baritone, bass, choir and orchestra
- 1982: Liturgy No. 2 ("To children, killed in War"); Texts: Tassos Livaditis, Mikis Theodorakis) for choir a cappella
- 1982–83: "Lorca" for voice, solo guitar, choir and orchestra (based on "Romancero Gitan")
- 1992: "Canto Olympico",
Ballets
- 1953: "Greek Carnival"
- 1958: "Le Feu aux Poudres"
- 1958: "Les Amants de Teruel"
- 1959: "Antigone"
- 1963: "Elektra"
- 1985: "Sept Danses Grecques" (chor.: Maurice Béjart)
- 1987–88: "Zorba"
Operas
- 1984–85: "Kostas Karyotakis"
- 1988–90: "Medea"
- 1992–93: "Elektra"
- 1995–96: "Antigone"
- 1999–2001: "Lysistrati"
Music for the stage
Classic tragedies
- 1979: "Ippies" (Aristophanes)
- 1986–88: "Orestie": "Agamemnon" - "Choephores" - "Eumenides" (Aeschylus)
- 1987: "Hekabe" (Euripides)
- 1990: "Antigone" (Sophocles)
- 1992: "Promithefs Desmotis" (Aeschylus)
- 2001: "Midea"(Euripides)
Modern plays
- 1960–61: "To Tragoudi Tou Nekrou Adelfou" (Ballad of the Dead Brother), Musical Tragedy (Text: Mikis Theodorakis)
- 1961–62: "Omorphi Poli" (Beautiful City), Revue (Bost, Christodoulou, Christofelis e.a.)
- 1963: "I Gitonia ton Angelon" (The Quarter of Angels), Music-drama (Iakovos Kabanellis)
- 1963: "Magiki Poli" (Enchanted City), Revue (Theodorakis, Pergialis, Katsaros)
- 1971: "Antigoni stin Filaki" (Antigone in Jail), Drama (Yannis Ritsos)
- 1974: "Prodomenos Laos" (Betrayed People), Music for the Theatre (Vangelis Goufas)
- 1975: "Echtros Laos" (Enemy People), Drama (Iakovos Kabanellis)
- 1975: "Christophorus Kolumbus", Drama (Nikos Kazantzakis)
- 1976: "Kapodistrias", Drama (Nikos Kazantzakis)
- 1977: "O Allos Alexandros" (The Other Alexander), Drama (Margarita Limberaki)
- 1979: "Papflessas", Play, (Spiros Melas)
International Theatre
- 1961: "Enas Omiros" (The Hostage), Drama (Brendan Behan)
- 1975: "Das Sauspiel", Tragicomedy (Martin Walser)
- 1978: "Polites B' Katigorias" (Second Class Citizens), Drama (Brian Friel)
- 1979: "Caligula", Drama (Albert Camus)
- 1980: "Perikles", Tragedy, (William Shakespeare)
- 1994: "Macbeth", Tragedy (William Shakespeare).
Film scores
- 1960: "Ill Met by Moonlight"
- 1960: "Honeymoon"
- 1961: "The Shadow of the Cat"
- 1961: "Five Miles to Midnight"
- 1962: "Elektra"
- 1962: "Phaedra"
- 1964: "Les Amants de Téruel"
- 1964: "Zorba the Greek"
- 1969: "Z"
- 1972: "Stage of Siege"
- 1973: "Serpico"
- 1977–78 "Iphigenia"
- 1980: "The Man with the Carnation"
Reference: Guy Wagner. Chairman of the International Theodorakis Foundation FILIKI. List of works based on the researches of Asteris Koutoulas
Political Views
Theodorakis is well known for his leftist views, which he has expressed openly (including, notably, during the dictatorship). He has campaigned for numerous human rights and peace causes, such as in the Cyprus dispute and the Israeli-Palestinian conflict. In 2000, he was nominated for the Nobel Peace Prize. Recently, he has raised controversy for expressing allegedly anti-American and/or antisemitic views.
Political Quotes
On Jewish people and Israel
At a press conference promoting his book "Where Can I Find My Soul" (4th November 2003):
- Today we can say that this small nation [the Jews] is in the root of evil, not of good, which means that too much self importance and too much stubbornness is evil. We are two nations without brothers in the world, us [the Greeks] and the Jews, but they have fanaticism and are forceful. The fact that we are very calm and did not turn aggressive like them is because we have more history. They only have Abraham and Jacob, who were shadows, while we have Pericles. Imagine what would happen in Greece if we were as aggressive as the Jews.
On 9/11
In an article in Eleftherotypia (14th April 2002):
- [September 11th was] characterized by an incredibly high degree of organization and technological means—higher I’d say than that possessed by the current superpower, the US.... As far as physical perpetrators are concerned there is still no tangible evidence and that’s why no arrests have been made. There were only moral perpetrators, who have been sought in Afghanistan—but it would be hard to convince anyone of their level of technological and organizational capabilities.
See also
Bibliography
- Mikis Theodorakis: Journals of Resistance. Translated from the French by Graham Webb, Hart-Davis MacGibbon, London, 1973
- Mikis Theodorakis: Music and Theater, Translated by George Giannaris, Athens, 1983
- George Giannaris: Mikis Theodorakis. Music and Social Change, Foreword by Mikis Theodorakis. G. Allen, London, 1972
- Gail Holst: Myth & Politics in Modern Greek Music, Adolf M. Hakkert, Amsterdam, 1980
External links
- Official Web Site (http://www.mikis-theodorakis.net/)
- Edition Romanos (http://romanos.mikistheodorakis.gr/)
- Orchestra Mikis Theodorakis (http://orchestra.mikistheodorakis.gr/)
- Lilian Voudouri Library (http://www.mmb.org.gr/page/default.asp?id=283&la=2/)
- Ha'aretz August 2004 Interview (Hebrew) (http://www.haaretz.co.il/hasite/pages/ShArtPE.jhtml?itemNo=469762&contrassID=2&subContrassID=13&sbSubContrassID=0)de:Mikis Theodorakis
el:Μίκης Θεοδωράκης fr:Mikis Theodorakis hr:Mikis Theodorakis lb:Mikis Theodorakis nl:Mikis Theodorakis no:Mikis Theodorakis sr:Микис Теодоракис