Forgery

Forgery is the process of making or adapting objects or documents (see false document), with the intention to deceive. The similar crime of fraud is the crime of deceiving another, including through the use of objects obtained through forgery. Copies, studio replicas, and reproductions are not considered forgeries, though they may later become forgeries through knowing and willful mis-attributions. In the 16th century imitators of Albrecht Dürer's style of printmaking improved the market for their own prints by signing them "AD", making them forgeries.

In the 20th century the art market made forgeries highly profitable. There are widespread forgeries of especially valued artists, such as drawings meant to be by Picasso, Klee, and Matisse.

This usage of 'forgery' does not derive from metalwork done at a 'forge', but it has a parallel history. A sense of "to counterfeit" is already in the Anglo-French verb forger "falsify."

Forgery is one of the techniques of fraud, including identity theft. Forgery is one of the threats that have to be addressed by security engineering.

A forgery is essentially concerned with a produced or altered object. Where the prime concern of a forgery is less focused on the object itself— what it is worth or what it "proves"— than on a tacit statement of criticism that is revealed by the reactions the object provokes in others, then the larger process is a hoax. In a hoax, a cultural meme, such as a rumor, or a genuine object "planted" in a concocted situation, may substitute for a forged physical object.

Contents

Topics in forgery

References

  • Robert Cohon, Discovery & Deceit: archaeology & the forger's craft Kansas: Nelson-Atkins Museum, 1996
  • Oscar Muscarella, The Lie Became Great: the forgery of Ancient Near Eastern cultures, 2000

See also

External links

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