Erstwhile Records
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Erstwhile Records is a record label devoted to free improvisation; characteristic label artists include Keith Rowe, Günter Müller, Otomo Yoshihide, Voice Crack, Fennesz, Burkhard Stangl, Thomas Lehn. Erstwhile has gradually come to focus on a style of improvisation which could be called "post-AMM": slow-moving, often quite quiet, making use of computers and electronics in nonstadard ways (Sachiko M's use of "empty sampler," Toshimaru Nakamura's use of "no-input mixing board"), and even when acoustic instruments are used often defamiliarizing them by use of amplification and unorthodox techniques (trumpeters Matt Davis and Axel Dörner, for instance, sometimes blow their instruments through the valves). Sometimes the music can be conventionally beautiful--releases like Martin Siewert/Martin Brandlmayr's Too Beautiful to Burn or Christof Kurzmann/Burkhard Stangl's Schnee could well appeal to the more adventurous fan of modern pop music. At other times it can be demanding even for veteran listeners to avant-garde music: Good Morning, Good Night, for instance, by Otomo Yoshihide, Sachiko M and Toshimaru Nakamura, is 100 minutes of extremely high-pitched sine waves, blips, crackles and snatches of vinyl record static.
The label's output is often controversial even among longstanding fans of free jazz and free improvisation, but the aesthetic has slowly found its own audience, though as yet there is not even an agreed-upon name for the genre ("laminal music," "granular music," "reductionism," "the new London silence," "Onkyo," "Berlin minimalism," are a few of the terms that have cropped up; for reasons of brevity "eai"--"electroacoustic improv"--seems to be winning out at present).
Erstwhile was founded by Jon Abbey in 1999, and his (knowledgable but highly opinionated) personality and tastes are as closely identified with the label as, say, Manfred Eicher's with ECM or Alfred Lion's with Blue Note. As with those labels, the music itself is part of an instantly recognizable, coherent packaging and aesthetic. Much of this is the responsibility of designer Friederike Paetzold, whose elegant packaging designs which often entirely forgo details like artist's names, instrumentation and album titles in favour of striking images (often artworks by guitarist Keith Rowe, who is also a painter).
Abbey has also organized the Amplify Festival, an annual series of live free improvisation concerts; a boxed set of recording from the 2002 event was released as AMPLIFY02: Balance; more recently, the results of the 2004 event have been emerging as separate releases under the subsidiary labelname ErstLive, notably a continuous four-hour concert by Otomo Yoshihide, Sachiko M, Toshimaru Nakamura and Keith Rowe (Erstlive 005).
The most useful survey of the label's aesthetic and history up to 2002 remains Dan Warburton's review of AMPLIFY02: Balance.[1] (http://www.paristransatlantic.com/magazine/monthly2004/01jan_text.html)
See also
External link
- Official Site (http://www.erstwhilerecords.com/)