Classical music

Classical music is music considered classical, as sophisticated and refined, in a regional tradition. The term "classical" has many connotations. The present page aims at distinguishing between the many meanings "classical" can have in the realm of music.

In the English language, the term "classical music" is a homophoric reference to European classical music and its derivative styles, and is generally never used in the way it is presented here.

Contents

1 List of classical music traditions 2 By regional and cultural tradition 3 Classical music as distinct from popular music genres 4 Classical music as the reference period of a musical tradition 5 Cross-over classics 6 Other definitions of classical music

List of classical music traditions

Here follows a non-limitative list of such "classical music" traditions:

• Andalusian (North African) classical music
• Arab classical music
• Azerbaijani classical music: Mugam
• Burmese classical music
• Byzantine classical music: Orthodox Byzantine music
• Cambodian classical music: Pinpeat
• Central Asian classical music: Uzbek and Tajik shashmaqam
• Chinese classical music Yayue, Guqin
• European classical music
  • also referred to as just Classical music or Western classical music.
  • Classical rock (music) considered as an extension of Contemporary European classical music.
  • Classical Jazz considerd as an amalgamation of Classical harmonies with Jazz improvization as a part of Contemporary European classical music.
  • Experimental classical music a movement within 20th century European classical music
• Indian classical music: Marga
  • Bengali classical music
  • Carnatic music
  • Hindustani and Pakistani classical music
    • Odissi classical music
  • Kashmiri classical music: Sufiana Kalam
• Indonesian classical music: Gamelan
• Ancient Greek music
• Iranian classical music: Musiqi-e assil
• Japanese classical music: Gagaku
• Korean court music
• Laotian classical music: Sep nyai
• Nepalese classical music: Charya
• Ottoman classical music: Sanat
• Philippine classical music i.e., the Kundiman and other traditional Filipino musical forms.
• Thai court music
• Tibetan classical music: Nangma
• Vietnamese classical music

By regional and cultural tradition

Every musical tradition has its classics, the pieces of music in that tradition that seem near to indestructible, or at least unavoidable when talking of that musical tradition.

Many musical traditions are linked to a region, that is, if the people making music in that tradition stay around in the same region, and if there are no significant ruptures in the musical tradition commonly associated to that region. Some examples include: Andalusian classical music, European classical music, Carnatic music, Korean court music, Laotian classical music, Vietnamese classical music.

In some cases a "classical music" tradition still has a geographical descriptor in its name, where the reference is still to the region of origin of that tradition, without defining where that tradition lives and is further developed, for example:

• Byzantine classical music: Orthodox Byzantine music
• Western classical music (European classical music): this is also generally the "classical music" tradition that is intended if no other context is apparent. Seen as a collection of distinct and/or overlapping European traditions in music with, amongst others, Ancient Greek music as one of its (possible) roots.

Other "classical music" traditions have no regional references any more in their name, but only refer to the cultural entity to which they belong, for example:

• Classical rock (music)

Classical music as distinct from popular music genres

Most classical music traditions mentioned in the previous section had at least an early part of their historical development overlapping with the popular and folk music genres of their day. However, the term "classical music" is used to mark the distinction between those popular genres and classical musical genres made with increasing frequency from about 1790 onwards (van der Merwe 1989, p.17). This is for example the case when speaking about:

• 20th century classical music

What makes popular music distinct? Peter van der Merwe (p.1) cites a more general case of timeliness: ease of modernity. For, in the early 20th century, "as long as" serious composers, "stuck to the diatonic scale...their music had a tiresome way of sounding as though it might have been written before 1900." Non-serious composers, "thought they continued to use those hoary old formulas, and yet somehow their music was of the twentieth century. No one could mistake a Noel Coward waltz for a Strauss one. Think what one might of Gershwin and Cole Porter, one could not accuse them of sounding like Schubert or Hugo Wolf, Massenet or even Puccini. As for jazz, it was as typical of the 1920s as cloche hats or bathtub gin."

Later (p.3), he describes that, "if history follows its usual course the popular idioms of today will become the learned idioms of tomorrow, and the antiquated academicism of the day after tomorrow."

Classical music as the reference period of a musical tradition

In analogy to how in the Western world the "classical" period for art and architecture was defined as Greek and Roman antiquity, in music also a certain period in the evolution of a musical tradition can be marked as classical:

• For Western classical music this is the Classical music era, a period of about 50 years starting in the second half of the 18th century (with Haydn, Mozart and Beethoven as its most famous exponents). Neo-classical music is music written after this period, that nonetheless revives some characteristics of the music of that classical period.

Cross-over classics

All the previous described classical music as deriving from, or living within a single tradition: of course also crossover genres can have their classics. For examples, see: Crossover music.

Other definitions of classical music

Classical music is sometimes defined as music produced in, or rooted in the traditions of art, ecclesiastical and concert music. A music is classical if it includes some of the following features: a learned tradition, support from the church or government, or greater cultural capital.

There are many definitions or criteria used to create specific lists of classical music traditions, most commonly including: the tradition must be fairly old, the tradition must possess some sort of notation, the tradition must require study or training to become an acceptable performer or composer. Lou Harrison, for instance, includes European classical music, Indian classical music, an Arabic tradition of classical music, and Chinese classical music. However, the most reliable indication that a tradition is a classical one is the self-identification as such by members of that tradition, for instance Ravi Shankar's questionable assertions that there are two superior musical traditions in the world, Indian classical music and European classical music.