The
violin
(or
fiddle
when
used
in
the
context
of
folk
music)
is
a
stringedmusical
instrument
comprising
4
strings,
each
tuned
a
fifth
apart
from
each
other.
It
is
the
smallest
and
highest-tuned
member
of
the
violin
family
of
string
instruments
which
also
includes
the
viola,
cello
and
double
bass.
The
lowest
string
is
a
G
just
below
middle
C,
then
D,
A
and
E
(in
that
order).
Occasionally
other
tunings
are
employed
(for
example,
tuning
the
G
string
up
to
A)
both
in
classical
music
(where
the
technique
is
known
as
scordatura)
and
in
some
folk
styles.
Sheet
music
for
a
violin
almost
always
uses
a
G
clef
(or
treble
clef).
The
lowest
attainable
note
using
normal
tuning
is
the
G
just
below
middle
C.
The
violin
has
some
similarities
to
the
earlier
viol
family
of
instruments.
The
highest
note
apparently
available
on
a
violin
is
the
little
finger
pressed
down
on
the
E-string
(sounding
a
B).
However
this
is
only
the
highest
note
in
first
position.
A
higher
note
can
be
achieved
by
sliding
the
hand
up
the
neck
of
the
violin
and
presssing
the
fingers
down
at
this
new
position.
In
1st
position,
the
first
finger
on
the
E
string
gives
an
F
or
F#.
Pressing
the
first
finger
on
a
G
is
called
going
in
to
second
position.
Third
position
is
achieved
when
the
first
finger
presses
down
on
an
A,
and
so
on.
The
upper
limit
of
the
violin's
range
is
largely
determined
by
the
skill
of
the
player,
and
a
good
player
could
easily
get
more
than
2
octaves
out
of
each
string.
Violinists
often
change
positions
on
the
lower
strings
even
though
this
seems
unnecessary.
This
is
done
to
produce
a
particular
timbre
or
to
handle
a
piece
which
would
otherwise
require
fast
switching
of
strings.
Double-stopping
Double
stopping
is
playing
two
strings
simultaneously,
producing
a
chord.
This
is
much
harder
than
normal
single-string
playing
as
more
than
one
finger
has
to
be
coordinated
on
to
different
strings
simultaneously.
Sometimes
going
in
to
higher
positions
is
necessary
in
order
for
it
to
be
physically
possible
for
the
fingers
to
be
placed
in
the
correct
places.
Double
stopping
is
also
used
to
mean
playing
on
three
or
all
four
strings
at
once,
although
such
practices
are
more
properly
called
triple
or
quadruple
stopping.
Collectively,
double,
triple
and
quadruple
stopping
is
called
multiple
stopping.
The
style
of
bow
used
until
around
the
end
of
the
18th
century,
particularly
in
Germany,
had
the
wood
curved
outwards,
which
made
it
somewhat
easier
to
play
three
notes
at
the
same
time.
However,
most
treatises
written
around
the
time
make
it
clear
that
composers
did
not
expect
three
notes
to
be
played
at
once,
even
though
the
notes
may
be
written
in
a
way
as
to
suggest
this,
and
playing
four
notes
at
once
is
almost
impossible
even
with
older
bows.
The
normal
way
of
playing
three
or
four
note
chords
is
to
briefly
sound
the
lower
notes
and
allow
them
to
ring
while
the
bow
plays
the
upper
notes.
This
gives
the
illusion
of
a
true
triple
or
quadruple
stop.
A
twentieth
century
invention
by
Emil
Telmányi
called
the
Bach
bow
makes
use
of
a
system
of
levers
to
temporarily
slacken
the
bow
hair
and
allow
sustained
three
or
four
note
chords;
this
design
has
no
historical
precedent
and
is
less
authentic
than
an
ordinary
modern
bow
for
playing
baroque
(or
any
other)
music.
As
well
as
the
style
of
bow,
the
curvature
of
the
bridge
(over
which
the
violin
strings
are
stretched)
is
an
important
factor
in
the
ease
of
multiple
stopping.
On
most
classical
instruments,
the
bridge
is
curved
enough
to
make
it
difficult
to
play
three
strings
at
once,
but
on
some
fiddles
the
bridge
is
shaved
down
until
almost
flat,
making
it
far
easier
to
triple
stop,
as
well
as
to
alternate
double
stopping
on
different
pairs
of
strings
(D-A
to
A-E
for
example).
Emotional
devices
Vibrato
is
a
very
common
device
used
by
violinists,
which
causes
the
pitch
of
a
note
to
vary
up
and
down
quickly.
This
is
achieved
by
moving
the
finger
pressing
on
the
string
slightly
forwards
and
backwards.
Vibrato
is
often
perceived
to
add
much
emotion
to
a
piece.
A
useful
side
effect
is
that
it
can
disguise
an
out
of
tune
note.
There
are,
in
fact,
several
different
styles
of
vibrato
ranging
from
the
use
of
just
the
fingers,
to
the
use
of
the
wrist
or
even
the
whole
forearm.
These
produce
different
effects
and
are
favoured
by
different
players
for
different
styles
of
music.
Some
styles
of
music
use
little
or
no
vibrato
at
all.
Pressing
the
finger
very
lightly
on
the
string
can
create
harmonics.
This
means
that
instead
of
the
normal
solid
tone
a
wispy-sounding
note
of
a
higher
pitch
is
heard.
This
is
caused
by
the
light
finger
blocking
the
string's
fundamental;
the
position
of
the
finger
determines
the
first
note
of
that
string's
harmonic
series
which
is
allowed
to
sound.
The
tone
of
the
violin
can
also
be
altered
by
attaching
a
small
device
called
a
mute
to
the
bridge
of
the
instrument.
This
stops
the
bridge
itself
from
vibrating
so
much,
and
causes
a
more
mellow
tone,
with
fewer
audible
harmonics
above
the
note
being
played.
Another
way
to
vary
the
tone
of
the
instrument
is
to
move
the
bow
nearer
to
or
further
away
from
the
bridge.
Playing
up
close
to
the
bridge
(sul
ponticello)
gives
a
thinner,
harsher
sound
than
usual,
and
playing
with
the
bow
over
the
end
of
the
fingerboard
(sul
tasto)
makes
for
a
delicate,
ethereal
sound.
Occasionally
the
strings
are
struck
with
the
back
of
the
bow
(col
legno).
This
gives
a
much
more
percussive
sound,
and
is
most
effective
when
a
whole
violin
section
is
playing
that
way,
since
it
is
difficult
to
get
much
volume
with
this
technique.
A
second,
more
modern
percussive
technique
is
called
the
"chop,"
in
which
the
hair
near
the
bottom
of
the
bow
is
struck
against
the
strings.
It
is
used
by
some
jazz
musicians,
including
the
Turtle
Island
String
Quartet.
Maintenance
Violins
are
tuned
by
twisting
the
pegs
present
in
the
head
of
a
violin.
The
A-string
is
tuned
first,
typically
to
440
Hz
(see
Pitch
(music)).
The
other
strings
are
then
tuned
in
comparison
to
it
in
intervals
of
perfect
fifths
using
double-stopping.
Some
violins
also
have
adjustors
(or
fine
tuners).
These
can
adjust
the
tension
of
the
string
and
are
positioned
behind
the
bridge.
These
are
more
convenient
when
a
not
a
lot
of
adjustment
is
necessary.
They
are
also
much
easier
to
use,
as
the
pegs
in
the
head
have
the
nasty
habit
of
slipping,
and
need
to
be
set
in
a
turning
and
pushing
method.
Adjustors
are
recommended
for
younger
players.
Small
tuning
adjustments
can
also
be
made
by
stretching
a
string.
Adjustors
work
best,
and
are
most
useful,
with
higher
tension
metal
strings.
It
is
very
common
to
use
one
on
the
E-string
even
if
the
others
are
not
equipped
with
them.
Strings
are
usually
replaced
after
about
a
year
or
when
they
break.
The
cost
of
strings
can
vary
very
widely,
and
the
quality
of
strings
can
have
a
big
impact
on
the
timbre
of
the
sound
produced.
Strings
made
of
gut,
which
are
often
used
in
historically
accurate
performances
of
music
from
the
18th
century
and
earlier,
have
a
tendency
to
go
out
of
tune
and
snap
more
easily
than
modern
strings
made
from
metal.
Synthetic
cored
strings
(wound
with
metal)
are
a
convenient
modern
alternative,
which
combine
some
of
the
benefits
of
gut
strings
with
greater
longevity
and
tuning
stability.
It
is
said
that
Paganini
purposefully
weakened
some
of
his
strings
so
that
in
performance
they
would
snap.
He
would
then
play
the
rest
of
the
piece
on
the
remaining
strings,
sometimes
going
into
remarkably
high
positions
in
order
to
impress
the
audience.
The
hair
of
the
bow
is
traditionally
made
out
of
horse-hair,
although
many
cheaper
instruments
are
made
from
synthetic
material.
It
has
to
be
frequently
rubbed
with
rosin
so
it
can
gain
enough
grip
on
the
metal
strings
of
the
violin.
In
the
course
of
playing
the
violin,
hairs
are
often
lost
from
the
bow,
making
it
necessary
to
have
it
rehaired
periodically.
Violins
typically
make
up
the
bulk
of
an
orchestra,
and
are
usually
divided
into
two
sections,
known
as
the
first
and
second
violins.
First
violin
parts
tend
towards
the
melody,
while
second
violins
tend
to
play
harmony.