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Sir Orfeo

Sir Orfeo is an anonymous Middle English narrative poem.

Dated to the late thirteenth or early fourteenth century, it represents a mixture of the Greek myth of Orpheus with Celtic mythology and folklore concerning fairies, that probably came into the English consciousness via the Old French Breton lais of poets like Marie de France.

In the poem, Sir Orfeo, king of Thrace, loses his wife Heurodis (i.e. Eurydice) to the fairy king, who steals her away from under an apple tree, an imp tree that happened to be haunted by the fairies, and takes her to his underworld kingdom. Orfeo, distraught by this, leaves his court and wanders in a forest. While there, he sees Heurodis riding past in the company of the fairy host. He follows them to the realm of the fairy king, where he entertains the fairy king by playing his harp. The fairy king, pleased with Orfeo's music, offers him the chance to choose a reward; he chooses Heurodis. Orfeo returns with Heurodis and reclaims his throne.

While this is not the classical myth of Orpheus, the poet shows substantial ingenuity in merging the Orpheus of mythology, who tries and fails to obtain the return of his wife Eurydice from Hades, the realm of Pluto, with the traditional Celtic fairy motifs of the Wild Hunt, the fairies' underground kingdom, their seeking to abduct mortals, and the magical transformations endured by those who are captured by them. These themes are shared by both Sir Orfeo and later-collected versions of Celtic ballad fairy-lore in such works as the ballads of Thomas the Rhymer and Tam Lin.

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