Muse (band)

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Muse2.jpg
The trio left to right: Dominic Howard-drums, Matthew Bellamy-vocalist, guitarist and keyboardist and Chris Wolstenholme-bassist

Muse is a British rock band formed in Teignmouth, Devon in 1996. Its three members are Matthew Bellamy (singer, guitarist and keyboardist), Chris Wolstenholme (bassist) and Dominic Howard (drummer and percussionist). Bellamy is the principal songwriter and creative influence in the band, though the band's more recent material has been credited to Wolstenholme and Howard also.

Contents

History

Formation and Early years (middle 1990s)

Muse's logo. Image is copyright, usage restricted.
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Muse's logo. Image is copyright, usage restricted.

Having been in separate bands at the school they attended in the early 1990s, the three members founded their new band originally under such lugubrious names as Gothic Plague and Fixed Penalty (Muse have given out confusing and contradictory information regarding the band's previous monikers in various interviews and, consequently, the chronology of these is unclear).

In 1996, under the name Rocket Baby Dolls, they took part in a local Battle Of The Bands, playing with such emotion and violence (going as far as to break everything on stage — a trait which has remained to the present day, though perhaps something of a rock ‘n’ roll cliché) that they stood out from the competition and won.

It was this identification with the emotion in their musical style and a feeling of being different to the rest of the local music scene in Teignmouth that saw the band choose not to go to university and seriously pursue being a band.

In the spotlight (Muse and Muscle Museum 1998-1999)

Interestingly, the band were influenced predominately at this stage by early 1990s rock music from America, particularly grunge, exemplified by Nirvana and Soundgarden which was something of a reaction against the Britpop movement which was hugely popular at the time. Another big influence was Radiohead with their albums the Bends and OK Computer.

Following a number of gigs in London and Manchester trying to find a suitable market for their music (a market that was certainly not to be found in their home town), the band, now named Muse, had a significant meeting with Dennis Smith, owner of Sawmills – a recording studio in a converted water mill in Cornwall, S.W. England.

This meeting led to their first proper recording in the shape of a self-titled E.P. on Sawmills’ in-house Dangerous label. Their second E.P., entitled Muscle Museum, was a breakthrough for the band, attracting the attention of influential British music journalist Steve Lamacq and the weekly British music publication NME.

Subsequent to its release, Denis Smith co-founded the music publishing company Taste Media especially for Muse, with whom the band has stayed until the present day. This was extremely fortunate for the band as it allowed them to preserve the individuality of their sound in the early stages of their career.

Breakthrough (Showbiz 1999-2000)

In spite of the success and acclaim of their second E.P., no English record label would back Muse, Bellamy’s vibrato-laden, often high-pitched vocal and unusual stage-presence almost certainly being sources of reluctance.

In fact it was the American label Maverick Records that took a gamble on the band, giving them a number of gigs in the U.S. and eventually signing them by the end of 1998. Upon their return from America, Taste Media arranged deals for Muse with various record labels in Europe and Australia and John Leckie, producer of Radiohead’s highly regarded album The Bends, was brought in to produce the band’s first album Showbiz, considered by some to be heavily influenced by Radiohead. It was an album showcasing the band’s aggressive style and features a number of lyrical references to the hard time they had whilst trying to establish themselves in Teignmouth.

The release of this album was followed by Maverick giving Muse prestigious support slots for the Foo Fighters and the Red Hot Chilli Peppers in a series of gigs in the United States, playing to crowds of over 20,000 people. 1999 and 2000 saw Muse playing major festivals in Europe and gigs in Japan and Australia, accumulating a considerable fan base in Western Europe (though in Britain this following remained somewhat left-field).

Rising to Superstardom (Origin of Symmetry 2001-2002)

The band settled down to write their second album Origin of Symmetry. This album saw Muse innovating more, exploring their style in ways they were not fully able to on Showbiz, with a heavier, darker rock sound, backed up by Wolstenholme’s large, often overdriven or synthesized bass sound (used to fill the gaps left in the band’s music by their 3-man lineup).

They experimented with unorthodox instrumentation, such as a church organ and Howard’s expansion of the standard rock drum set. There was also more of Bellamy’s high pitched vocal lines and distinctive piano playing, inspired by the works of pianists of the Romanticism such as Sergei Rachmaninoff. Bellamy cites some of his guitar playing influences as Jimi Hendrix and Tom Morello (of Rage Against the Machine), the latter being particularly evident in the more riff-based songs on Origin of Symmetry and in Bellamy’s extensive use of pitch-shifting effects in his solos.

The general eccentricity of Muse’s fundamentally rock style has seen them likened to 1970s glam rock band Queen, Freddie Mercury being a confessed song writing influence of Bellamy’s.

The accomplished nature of this album might have led to Muse making a significant impact on the American music scene, but a stroke of irony saw Maverick cause Origin of Symmetry to never reach American record stores. With reservations about Bellamy’s vocal style (considering it not "radio-friendly"), they asked Muse to change some of their songs prior to U.S. release.

Insulted, the band declined and left Maverick altogether. After the album, Muse released Hullabaloo, a DVD featuring their live performance at Le Zenith in Paris in 2001. An accompanying double album was released at the same time, including a collection of b-sides and recordings of some songs from the Le Zenith performance. To further fill the void between Origin of Symmetry and Absolution a double A side single was released containing new tracks In Your World and Dead Star, a move away from the grand opera style of Origin of Symmetry. The new singles were greeted with a mixed reaction from existing fans used to Muse’s unique sound, but the new mood did help attract many new fans helped of course by radio friendly lengths and styles.

Critical and fan acclaim (Absolution 2003-2004)

In 2003, their latest studio album was released. Entitled Absolution, this recording expressed a continuation of the experimentation in the rock genre displayed in Origin of Symmetry while trying to maintain a sense of the three-piece band that they are and was produced by Rich Costey who, somewhat fittingly given Bellamy’s guitar style, had previously produced Rage Against the Machine.

Muse continued to blend their classical influences into their hard rock sound, the overall effect being somewhat Wagnerian in style. The band made reference to there being a through-running theme in the album — the end of the world, and a series of reactions to that situation. This draws mainly from Bellamy’s intrigue in conspiracy theories, theology, science, futurism, computing and the supernatural amongst others. The song "Ruled By Secrecy", for instance, takes its title from a Jim Marrs novel about the secrets behind the way that major governments are run — many lyrics on this album have political references.

Similar themes were explored in Origin of Symmetry: the song "Space Dementia" is named after a mental disorder identified in some astronauts following prolonged periods of time in space and the opening line of the song gives the name of a type of microprocessor. And in songs such as "New Born" references are made to a hypothetical future where technology has a detrimental effect on society.

Finally receiving mainstream critical acclaim in Britain and with a new American record deal, Muse shook-off Radiohead comparisons for good and undertook their first international stadium tour. It continued for about a year and it saw Muse visiting Australia, USA, Canada and France and meanwhile the band released 5 singles.

Unfortunately, a tragedy struck the band in the middle of the year. The band performed at Glastonbury with Oasis (Matt described the concert as "The best gig of our lives!"), but the evening after the concert finished, Bill Howard - father of drummer Dominic Howard - died from a heart attack. "It was the biggest feeling of achievement we've ever had after coming offstage", Bellamy says. "It was almost surreal that an hour later his dad died. It was almost not believable. We spent about a week sort of just with Dom trying to support him. I think he was happy that at least his dad got to see him at probably what was the finest moment so far of the band's life." After few months of continuing countenance and emotional support from his bandmates and family, Dominic decided to stay with the band

Muse continued their successful tour. Their last dates were in USA and in London, at the Earls Court arena before Christmas. Beside the tour Muse have also won two MTV Europe awards, including "Best Alternative Act", and a Q Award for "Best Live Act". At the end of 2004, Vitamin Records released The String Quartet Tribute To Muse by The Tallywood Strings. The album consisted of instrumental string versions of some of Muse's well known (and some lesser known) songs from the band's history. At the 2005 Brit Awards, Muse were awarded the "Best Live Act" award - fitting for a band which has long been reputed by fans all over the world as one of the best live acts in music today.

Next album recordings (2005-2006)

At the fall of the year Matt was interviewed by MTV and said that he wants Muse next album to be more "upbeat" recording. While Absolution and Origin of Symmetry are characterized with lyrics with dramatic melancholy and apocalyptic feel, on the next album Bellamy is looking to "draw on things like optimism and hope". Bellamy explained that this is a desire to expose this music to fans and the strength of bandmembers, which carried them through difficult times, while stressing on the unfortunate death of Dominic Howard's father as a main reason for this change.

In December 2004, Matt announced that the songs for the next album - rumoured to be titled Cryptology - were written and were ready for recording. In concerts played in Toronto, Canada and London's Earl's Court two of these new songs were played. At the current date these songs remain without "official" titles, but have been nicknamed Des and A Crying Shame by fans. Bellamy has also said that during a calm staying in Tibet, he wrote another 5 tunes. Again in January 2005, Matt said to NME that despite the lengthy tour the band are keen on starting again. They plan to work again with producer Rich Costey for the new material, but will break up their recording time with another trek of the US as their profile has grown significantly there over the last year.

"What I’d love to do is get a little space in London, like a kind of thing where we can do private gigs to rehearse the songs before we record them." frontman Matt Bellamy told NME.COM. "I think that’s a good vibe - getting people on message boards to come, so you get the pressure of a gig." he explained. "As soon as you play a song in a gig situation you really work out. It really changes your whole concept." In February 2005 Bellamy again gave info for NME about their next album: "We're off to the Midwest in April (Mtvu Campus tour). We're doing out of the way tiny clubs, so that we can try out new songs away from the spotlight. If we get the album finished quickly by the end of summer, then maybe we'll do small venues here (UK) as well to preview them. But there's no definite plans. We don't have any deadlines for finishing it." In May 2005 Bellamy was also interviewed in Louisville, during tour stop last week. That's what he said about the new album: We're playing a few new songs at the moment. As soon as we finish this tour, we're going to start rehearsing and probably over the summer we'll start recording. Hopefully, we'll get something ready for release early next year. The next album we'll go for a world-wide release.

Also Bellamy hinted that a new DVD is on the way with a performance at Earls Court, but the release will have to be structured and prepared by the band beforehand. According to one of the biggest fan-sites Microcuts (http://www.microcuts.net/uk/news/) a new unofficial DVD will see its way in April and will be DVD biography. It will be called "Manic Depression", but however the band isn't involved with the making and doesn't endorse its release.

The creator of Crazybobbles (http://www.crazybobbles.org) have created a summary of all the possibilities and uncertainties surrounding the 4th upcoming (and allegedly more upbeat) album of Muse. It can be found on the special section of the same name - Muse 4th Album (http://www.crazybobbles.org/4thalbum/), with working titles "DES", "A Crying Shame" and also "Church Of The Sub Genius" and the also known "Cryptology".

Discography

Studio Albums

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    Museshowbizalbumcover.jpg


Showbiz (1999) - UK #29
Origin of Symmetry (2001) - UK #3
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Absolution (2003) - UK #1

Compilations

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Hullabaloo (2002) - UK #10 - Disc 1: Selection of B-Sides

- Disc 2: Live At Le Zenith Paris, 28th and 29th of October 2001 - DVD Listing

Singles

  • "Uno" (1999), #73 UK
  • "Cave" (1999), #52 UK
  • "Muscle Museum" (1999), #43 UK
  • "Muscle Museum" (U.S.) (2000)
  • "Sunburn" (2000), UK #22
  • "Unintended" (2000), UK #20
  • "Muscle Museum" (2000 re-release), #25 UK
  • "Plug in Baby" (2001), UK #11
  • "New Born" (2001), UK #12
  • "Bliss" (2001), UK #22
  • "Hyper Music/Feeling Good" (2001), UK #24
  • "Dead Star/In Your World" (2002), UK #13
  • "Stockholm Syndrome" (download only) (2003)
  • "Time Is Running Out" (2003), UK #8
  • "Hysteria" (2003), UK #17
  • "Sing For Absolution" (2004), UK #16
  • "Apocalypse Please" (special charity download only) (2004)
  • "Butterflies and Hurricanes" (2004), UK #14

EPs

  • Muse (1998)
  • Muscle Museum (1999)
  • Dead Star/In Your World (2002)

DVDs

  • Bliss (2001)
Hullabaloo (2002) - Disc 1: Live At Le Zenith, Paris

- Disc 2: Documentary: Documentary, Interactive Discography / clips, Photos

  • Time is Running Out (2003)
  • Absolution (Limited edition album DVD) (2003)
  • Hysteria (2003)
  • Sing for Absolution (2004)
  • Butterflies and Hurricanes (2004)

Other work

Collaborations

  • Helping You Back To Work: Volume 1. (1997) - "Balloonatic" (Early version of the song "Twin")
  • Little Nicky: Original Soundtrack (2000) - "Cave" (Track 10)
  • Not Another Teen Movie: Original Soundtrack (2001) - "Please, Let Me Get What I Want" (A Cover of The Smiths, Track 11)
  • Swordfish: Original Soundtrack (2001) "New Born (Paul Oakenfold Remix)" (Track 5)
  • Tainted Love Single UK CD2: Marilyn Manson's single (2002) - "Please, Let Me Get What I Want" (A Cover of The Smiths, Track 3)
  • 1 Love: War Child Charity Album (2002) - "House Of The Rising Sun" (A Cover of The Animals, Track 3)
  • Paris Dernière: Volume 3 (Compilation Album in France) (2002) - "Can't Take My Eyes Off You" (A cover of Frankie Valli, Track 2)
  • 3 Petites Filles: Original Soundtrack (2004) - "New Born" (Track 3)
  • Millions: Original Soundtrack (2004) - "Hysteria" (Track 2), "Blackout" (Track 7)

Muse by Others

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    Muse-String_Quartet.jpg


The String Quartet Tribute To Muse (2005) - The Tallywood Strings : Stockholm Syndrome, Map Of Your Head, Time Is Running Out, Muscle Museum, In Your World, Showbiz, The Small Print, Sunburn, New Born, Bliss, Sing For Absolution, Saving Grace (Original Composition)

External Links

Official links

Fansites


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