Accordion
An
accordion
(French:
accordéon,
German:
Handharmonika
"hand
harmonica",
'\'Ziehharmonika
"pull
harmonica"
or
most
commonly
used:
Akkordeon''),
is
a
small
portable
free-reed
wind
instrument
with
a
keyboard,
the
smallest
representative
of
the
organ
family.
Sound
is
made
by
a
thin
metal
ribbon,
a
reed,
that
is
held
at
one
end
and
free
at
the
other,
like
a
ruler
on
the
edge
of
a
table
top.
The
reed
is
fitted
inside
a
holder
plate,
air
is
drawn
through
the
hole
in
the
holder,
the
reed
vibrates,
producing
sound.
The
first
free-reed
instrument
was
the
Chinese
sheng
(笙),
which
is
mouth-blown.
It
is
thought
that
a
traveler
to
China
in
the
1800s
brought
this
idea
back
to
Europe.
The
first
modern
accordion
was
a
10-button
accordion,
invented
in
1829
by
Damian,
in
Vienna,
which
had
the
7
notes
of
a
major
scale,
and
consequently
only
played
in
one
key
[and
its
related
keys].
These
accordions
are
still
played
today
and
are
called
many
things,
Cajun
accordions,
melodeons,
one-row,
diatonic
accordions,
and
so
on.
They
are
single-action
instruments,
where
as
a
rule
each
button
produces
two
different
notes,
one
when
pulling
the
bellows
outwards,
one
when
pushing
it
inwards.
The
notes
are
arranged
much
like
on
a
harmonica.
The
accordion
was
patented
on
January
14,
1854
by
Anthony
Faas.
The
accordion
consists
of
a
bellows
of
many
folds,
to
which
is
attached
a
keyboard
with
from
5
to
50
keys.
The
keys
on
being
depressed,
while
the
bellows
are
being
worked,
open
valves
admitting
the
wind
to
free
reeds,
consisting
of
narrow
tongues
of
metal
riveted
some
to
the
upper,
some
to
the
lower
board
of
the
bellows,
having
their
free
ends
bent,
some
inwards,
some
outwards.
Each
key
produces
two
notes,
one
from
the
inwardly
bent
reed
when
the
bellows
are
compressed,
the
other
from
the
outwardly
bent
reed
by
suction
when
the
bellows
are
expanded.
The
pitch
of
the
note
is
determined
by
the
length
and
thickness
of
the
reeds,
reduction
of
the
length
tending
to
sharpen
the
note,
while
reduction
of
the
thickness
lowers
it.
The
right
hand
plays
the
melody
on
the
keyboard,
while
the
left
works
the
bellows
and
manipulates
the
two
or
three
bass
harmony
keys,
which
sound
the
simple
chords
of
the
tonic
and
dominant.
Related
instruments
include
the
concertina
and
the
melodeon.
The
piano
accordion
was
developed
in
Europe
in
the
late
1800's
and
has
become
the
most
common
type
of
accordion
nowadays.
Familiar
to
everyone
who
has
ever
seen
Lawrence
Welk,
the
right
hand
is
laid
out
like
a
piano
keyboard,
so
a
piano
player
could
play
it,
though
the
keys
are
smaller
than
on
a
piano.
The
left
hand
plays
in
a
forest
of
up
to
120
buttons
which
play
bass
notes
and
various
chords.
The
instrument
was
named
and
popularized
in
the
United
States
by
Count
Guido
Deiro
who
was
the
first
piano
accordionist
to
perform
in
Vaudeville.
He
is
credited
with
making
the
first
recordings
of
the
instrument
in
1908,
also
with
making
the
first
radio
broadcast
of
the
accordion
in
1921
and
the
first
sound
motion
picture
featuring
the
accordion,
Vitaphone
1928.
The
left
hand
layout
usually
features
six
rows,
the
second
row
buttons
consist
of
the
Bass
and
is
ordered
in
quints,
the
first
row
buttons
are
one
third
up
relative
to
the
second
row.
The
major
chords
are
in
the
third
row,
the
fourth
row
consists
of
the
minor
accords,
the
fifth
row
houses
the
seventh
chord
and
finally
the
sixth
row
has
the
diminished
seventh
chords.
The
layout
can
be
roughly
described
by
this
ASCII
Art:
...
C
G
D
A
E
B
F#
C#
G#
D#
A#
F
C
...
...
Ab
Eb
Bb
F
C
G
D
A
E
B
F#
C#
G#
...
...
ab
eb
bb
f
c
g
d
a
e
b
f#
c#
g#
...
...
abm
ebm
Bbm
fm
cm
gm
dm
am
em
bm
f#m
c#m
g#m
...
...
ab7
eb7
Bb7
f7
c7
g7
d7
a7
e7
b7
f#7
c#7
g#7
...
...
abd7
ebd7
Bbd7
fd7
cd7
gd7
dd7
ad7
ed7
bd7
f#d7
c#d7
g#d7
...
Depending
on
the
price,
size
or
origin
of
the
instrument,
some
rows
may
miss
completely
or
the
layout
is
slightly
changed.
In
most
russian
layouts
the
diminished
seventh
chord
row
is
moved
by
one
button,
so
that
the
diminished
seventh
C
chord
is
where
the
diminished
seventh
F
chord
is
in
this
ascii
graphic,
in
order
to
achieve
a
better
reachability
with
the
forefinger.
Another
type
is
the
chromatic
accordion.
Usually
these
have
buttons
instead
of
piano
keys,
but
they
have
the
same
12-note
Western
scale
as
a
piano
accordion.
The
buttons
are
ordered
chromatically
in
three
rows,
one
row
up/down
means
one
halftone
up/down,
one
button
up/down
in
the
same
row
means
3
halftones
up/down.
Larger
chromatic
accordions
can
have
up
to
three
auxiliary
rows,
with
secondary
buttons
playing
the
same
tones
that
already
appeared
in
the
first
three
rows.
This
layout
makes
transforming
songs
into
other
keys
much
easier
than
on
the
piano
accordion.
The
chromatic
accordion
is
definitely
the
choice
for
classical
music,
as
a
lot
of
more
buttons
than
piano
keys
can
be
packed
on
the
same
space.
Therefore
artists
can
play
intervals
of
up
to
two
octaves
using
only
one
hand,
this
is
especially
important
for
pieces
that
include
more
than
two
voices.
There
are
two
different
layout
systems,
the
C
layout
and
the
B
flat
layout.
If
you
turned
a
C
layout
keyboard
on
its
head
you
would
have
a
B
flat
layout
and
vice
versa.
The
B
flat
layout
is
preferred
for
classical
music,
and
is
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